Alvin and the Chipmunks Meet Frankenstein () | Mary Shelley Wiki | FANDOM powered by Wikia
Alvin and the Chipmunks Meet Frankenstein is an animated children's film adaptation of Mary Shelley's Frankenstein; or the Modern Prometheus. This movie. Alvin and the Chipmunks Meet Frankenstein is an animated horror themed direct- to-video film based on characters from Alvin and the Chipmunks. Alvin and the Chipmunks Meet Frankenstein is a film about the Chipmunks getting involved with Dr. Frankenstein and his Wikipedia has an article about.
Contents [ show ] Synopsis Alvin, Simon, and Theodore are singing a spooky musical performance as an attraction at Majestic Movie Studios. During their break, Alvin takes over a tour bus and races the chipmunks and other tourists through the park to reach Dragonland. Unfortunately, the chipmunks get lost and are locked inside the theme park after hours. They explore a castle where Dr. Frankenstein is creating the monster. The chipmunks befriend the creature.
The main scene that emphasizes friendship is on the playground when Alvin, Simon, and Theodore teach Frankie how to be a good friend. The trio sing "If You Wanna Have Friends" while teaching Frankie the appropriate playground etiquette, such as sharing and taking turns.
In teaching the creature how to get along with other children, the film is teaching young audiences to do the same. The movie becomes didactic in nature as it imprints on children the desired behavior they need to obtain in order to have friends of their own.
In addition, by befriending the monster, the three chipmunks are displaying acceptance of the "other". Theodore realizes that the monster has good intentions towards him as he retrieves his teddy bear from the monster outside his window. Theodore looks past the monster's physique to empathize and accept him for who he is and not for what he looks like.
Abbott and Costello Meet Frankenstein - Wikipedia
This lesson in friendship redefines monstrosity for the young audience from a perspective of physical difference or deformity to one based on behavior and intentions. In addition, befriending the monster serves as a coping mechanism for children to not be afraid of the "other" or the unknown. By witnessing Theodore's displays of tolerance and acceptance towards the Frankenstein monster, children are in effect visually learning how to accept those around them who may also be different from themselves.
Nurture The Frankenstein monster in Mary Shelley's Frankenstein; or the Modern Prometheus and in Alvin and the Chipmunks Meet Frankenstein experience and learn many new things when they are first created.
The philosophical debate between Nature versus Nurture suggests that there are two distinct ways an individual learns either from nature or from someone else. In Shelley's novel the monster receives both forms of learning: Frankie, in this movie, is left to his own devices and surrounding environment when Dr. Frankenstein sends him after the three chipmunks.
He ends up tracking Alvin, Theodore, and Simon in the night, without knowing how to speak or act. Frankenstein does not fulfill a parenting role, but instead abandons the monster immediately following his creation.
In addition, no one instructed Frankie about a roller coaster and the scene becomes comical when he gets scared on the ride. The chipmunks become the nurturers for the Frankenstein monster.
Alvin and the Chipmunks Meet Frankenstein - Wikiquote
Theodore shelters Frankie in his bedroom to protect him from the rain. Then, the chipmunks nurture Frankie by teaching him right from wrong and how to behave appropriately with other children at the park. Similarly, when the boys take Frankie back home they take care of his cut finger and burned hands.
Percy ShelleyMary's husband, served as a major influence for the character. Victor was a pen name of Percy Shelley's, as in the collection of poetry he wrote with his sister Elizabeth, Original Poetry by Victor and Cazire.
Percy had a sister named Elizabeth; Frankenstein had an adopted sister, named Elizabeth. On 22 FebruaryMary Shelley delivered a baby two months premature; the child died two weeks later. Obsession plays a major role in the development of Frankenstein's character.
First, as a child, he is obsessed with reading books on alchemyastrologyand many pseudo-sciences.
Later, as a young man, he becomes enthralled with the study of life sciences - mainly dealing with death and the reanimation of corpses. Finally, after the monster is created, Frankenstein is consumed with guilt, despair, and regret, leading him to obsess over the nature of his creation.
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January Books Beside the original novel, the character also appears or is mentioned in other books from pastiches to parodies. In the book Frankenstein's Auntthe Baron's aunt comes to Frankenstein's castle to put it back in order, following the chaos caused by her nephew's experiments. In the novel Frankenstein's Aunt ReturnsFrankenstein has created a child for the monster and his bride. His creations are mentally and emotionally defective, however, and Helios is forced to kill them, all while convinced that it is due to a flaw in his process rather than being able to acknowledge that his own warped views are the reasons his creations break down due to the hopelessness of their lives and inability to find their own purpose.
In Kenneth Oppel 's novel This Dark Endeavor and its sequel Such Wicked Intent, Frankenstein is portrayed as a year-old aspiring scientist who creates his own creature from the body of his deceased twin brother, Konrad.
In the Curtis Jobling book, Frankenstein's Catit features Frankenstein, sometime before creating his monster, creating a cat called Nine named because he was made out of nine cats. This book was later adapted into a television series in Film Victor Frankenstein film Victor Frankenstein's first appearance on screen was in a film produced by Thomas Edison in which he seemed more a magician. The character's first significant film appearance was in Universal Pictures ' film adaptationdirected by James Whale.
Here, the character is renamed Henry Frankenstein a later film shows his tombstone bearing the name Heinrich von Frankenstein and is played by British actor Colin Clive opposite Boris Karloff as the monster. Clive reprised his role in the sequel, Bride of Frankensteinwhich reunited Clive, Whale and Karloff, as well as first giving Frankenstein the official title of Baron.
Although the character is not present in the following sequels due to Clive's death inan oil painting of Frankenstein as portrayed by Clive appears in 's Son of Frankenstein ; he is also the title character, in spite of having only a cameo, in The Ghost of Frankensteinwhere his ghost is portrayed by Cedric Hardwicke who also plays Henry's descendant Ludwig Frankenstein in the film.
The film Mad Monster Party?
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Boris discovers the secret to total destruction and plans to reveal it to the Worldwide Organization of Monsters while announcing his retirement. He has a nephew named Felix Flanken, whom he claims is the son of his youngest sister an expert in witchcraft and a medicine manthough the film's twist ending reveals him to actually be a sentient automaton built by the Frankensteins.
After Cushing temporarily retired from the role following 's Frankenstein Must Be DestroyedHammer decided to reboot the series for the s.
The Horror of Frankenstein was a tongue-in-cheek black comedy remake of The Curse of Frankensteinwhich featured Ralph Bates as a younger, "hipper" Baron in the sinister mold of Cushing's interpretation.
After the film failed to be the success Hammer had hoped for, they brought Cushing back for one final film, in 's Frankenstein and the Monster from Hell.